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 This is KZSU Stanford.

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 In one of the very first episodes of entitled opinions, back in 2005, I talked about the

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 difference between knowledge and self-knowledge, between an objective understanding of nature

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 and a subjective understanding of the human psyche.

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 It dismates me as much today as it did back then that governments and corporations

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 invest billions upon billions of dollars in scientific research every year,

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 yet commit only a tiny and diminishing fraction of that to advance the cause of self-knowledge.

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 In today's show, we're going to discuss the Swiss psychologist Carl Jung.

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 So let's hear what he had to say on this topic back in the 40s and 50s.

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 I quote Jung, "Everything possible had been done for the outside world.

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 Science has been refined to an almost unimaginable extent.

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 Technical achievement has reached an almost uncanny degree of perfection."

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 But what of man who is expected to administer all these blessings in a reasonable way?

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 No one has stopped to consider that neither morally nor psychologically is he in any way

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 adapted to such changes.

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 Man has come to be man's worst enemy.

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 It is a clash between man and God in which man's luciferian genius

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 has produced the power to destroy more effectively than any ancient God could.

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 We must begin to learn more about man until every Jekyll can see his hide.

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 Another quote, "Nowadays the world hangs by a thin thread and that thin thread is the psyche of man.

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 We are the great danger. The psyche is the great danger. But we know nothing about the psyche.

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 Nothing. Man himself is the greatest threat to man.

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 For the simple reason that there is no adequate protection against psychic epidemics,

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 which are infinitely more devastating than the worst natural catastrophes."

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 What has become ever more clear since Jung wrote that is that our failure to know ourselves

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 impacts our knowledge of as well as our relation to the natural world.

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 The more we unlock its secrets, the more we detach ourselves from nature,

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 and the more we detach ourselves from nature, the more ominous becomes the threat of human self-destruction.

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 Our runaway scientific and technological progress has eradicated what Jung called our bush soul.

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 That is a soul in us that once connected us to the creaturely world

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 and that once spoke to stones, springs, plants, and animals alike.

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 According Jung again, our immediate communication with nature is gone forever

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 and the emotional energy it generated has sunk into the unconscious.

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 This enormous loss is compensated by the symbols of our dreams.

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 Jung believed that only by delving into the depths of our unconscious and interpreting the symbols

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 that have sedimented there can become to know and hence come to terms with the psychic forces

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 that haunt us, that agitate deep within us, and that when excessively repressed can provoke

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 the world destroying psychic epidemics behind the two world wars, the holocaust, the adamant hydrogen

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 bombs, and any number of collective catastrophes to come.

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 On today's show, my colleague Laura Whitman is going to help us think about how and why Carl Jung

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 felt that it was necessary to undertake a catabassus that is to say a descent into the

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 underworld of the unconscious in order to confront the buried, darker, and even pre-historical

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 psychic forces that have accumulated there over long durations.

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 What is the unconscious? What are its primary symbols and archetypes?

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 Are dreams the main portals into the self's underworld?

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 These are questions I will be putting to Laura Whitman, who is a professor of literature in the

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 Department of French and Italian here at Stanford. Laura is a widely published author whose recent

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 work has led her into the fields of psychology, mysticism, and the medical humanities.

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 She has not only been a frequent guest on this show, she is the one who joined me in the very first

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 episode of entitled opinions back in September 2005. It's a pleasure to welcome her back.

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 Laura, thanks for joining us again here in the catacombs of KZSU.

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 Well, thank you so much. It's a pleasure to be here again.

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 I mentioned that Jung really believed in the need for a catabassus or descent.

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 However, that kind of descent into the unconscious can only be undertaken by the single individual.

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 I think he believed with the guidance perhaps of the psychotherapist.

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 I think it's crucial to keep in mind that although Jung is famous for his idea of the collective

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 unconscious, he was firmly committed to the centrality of the individual in psychotherapy.

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 There is no such thing as collective therapy for him. Again, if I get him right,

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 Jung also felt that he could not help his patients get in touch with their own unconscious selves unless

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 he himself first went to the deepest levels of his own psyche, which he in fact did between the years

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 1914 and 1930. He really did go all the way down, recording the extended journey and what came to be

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 known as his the Red Book. The Red Book only got published half a century after his death in 2009.

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 You and I both think that it occupies a central place in Jung's development. So why don't we

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 start by putting it in some sort of context? What was going on in Jung's life and career

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 before 1914 that led him to resolve upon this voluntary descent into what some people view as a

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 form of madness in fact? Yeah, that's a great question and I think it's important to realize

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 Jung had been working as a psychotherapist for quite some time and he was working with

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 mainly schizophrenic patients and he had come to collaborate with a number of people, Jeane and of course

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 most famously Freud, but in this moment around 1912 or 13, he really became convinced that his

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 patients ran as it were, contained this powerful symbolic message and that there was a whole

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 world that was being revealed in what they were saying and that's really what led him to start

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 thinking about the collective unconscious and how he himself might experience it more directly and I

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 want to say I think very important is to go back and realize that this was a very transgressive

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 idea to try to derive meaning from what these patients were saying and at the time what we know

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 as psychoanalysis and psychotherapy was still very much in the air and it was very dangerous for

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 Jung to undertake this exploration of what indeed could be considered psychotic material so yeah.

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 So in other words the assumption that it was all nonsensical gibberish and not in any way

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 revelatory of some deeper pattern underneath or even the assumption you know I think Freud was

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 working his way or discussing the whole idea of certain very clear patterns that might be revealed

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 patterns of repression and repressed material returning and I think Jung felt that this was both

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 two systematic that everyone would have the same patterns be revealed and to authoritative for

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 materials that for Jung came from much deeper than where Freud was looking so he was thinking about

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 prehistoric genetic anthropological elements and so he looked at world religions to

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 find connections to what his patients were saying so much broader sort of reservoir.

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 Yeah well we can discuss later I don't want to get into the polemics of my kind of views on whether

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 this assumption of his that there was something that lent itself to a hermeneusus in this

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 psychotic discourse of his patients actually bore fruit in terms of legibility of neurosis.

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 Now as I understand it around this time his relationship to Freud he started getting slowly

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 disenchanted I don't know if it was a sudden thing or a gradual thing but Freud was also developing

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 his theory of the unconscious very reductive in some ways to the nuclear family you know mommy and

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 daddy sexual edible complexes and so forth and I I gather that Jung felt that that was limiting

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 the very concept of the unconscious and was putting it a little bit of a straight jacket, right?

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 Absolutely and I think he felt that the it hit we was almost becoming a requirement to fit

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 dream material for instance into this kind of scenario the sort of early family scenario and

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 Jung was much more curious about what was going on both with his patients and very quickly in his own

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 self right this idea that your first approach to the unconscious should really be one of extreme

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 curiosity as well as caution but an awareness that you truly don't know right that we we have

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 as you said in your intro gotten in a sense so far away from the instinctive and the irrational

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 that we have very few tools to approach it except perhaps for this kind of radical openness

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 you know and then we should talk about how he started to invent techniques for getting more in touch

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 yes we should talk about that let's go to you know 1912-1914 does he break with Freud before he

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 decides that he must confront the unconscious I think he has a chapter in memories dreams reflections

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 and it is about what he did for for those years in which he was taking all these notes for

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 the red book yeah it's um I would say that that's a hard question to answer because it's all

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 happening at the same time and you know traditionally people talk about the book symbols and

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 transformations of the libido that came out in 1913 as this place where he breaks with Freud by

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 bringing up the importance of religious imagination but in fact a lot of that was added in a later

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 addition and so it's I think it's gradual and I think it involves Jung not planning to break with

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 Freud but truly feeling that Freudian theory was not enough and he describes feelings suspended

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 which I think is this feeling of there's all of this unconscious material he's confronted with

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 and he doesn't know what to do with it right and so it's it's sort of and Freud isn't

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 is no longer providing me with the answer of what to do and now I have to figure it out on my own

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 so it's a moment of personal crisis for himself and I think that's what leads to what we know as

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 the red book yeah and speaking of religion you mentioned it you know Freud had a very

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 psychoanalytic interpretation of religion in the future of an illusion it was just kind of

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 reducing it to kind of glorified father figure in God and Jung I think believed that religions

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 contained a lot of clues to what you call the unknown or perhaps even unknowable contents of the

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 unconscious absolutely and he ended up after he had his own experiences sort of searching world

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 religions and mystical traditions in order to find parallels with his own discoveries so some

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 of his key encounters that he experienced directly in these visionary states he had he then found

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 confirmation or corroboration parallelisms in world religions and I think the most basic

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 one would be that in so many traditions we have a descent into the darkness or into the night

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 a shamanic journey you could call it but it's very common right that there's this descent

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 often through death that you have to pass through so it is a for him it was in a recurrent

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 view of how you go into the darkness of the unconscious and you truly risk your sanity your rational

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 self your consciousness and hopefully you come out on the other side and that other side I'm

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 curious whether the other side was a restoration of what we ordinarily understand a sanity

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 namely that we overcome what could be the the more deleterious potential of the contents of the

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 deep unconscious and the irrationality and that is coming out on the other side restoration of

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 rationality in any way or is it some sort of truce between the rational and the irrational

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 forces of the self I think of it more as a dance than a truce but I don't think it was a

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 re-establishment of what you had before I think the goal was to find a way to work with the fact that

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 you are also a very irrational being and that many of your decisions desires life choices ways

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 to resolve crises have these very deep what we would consider irrational impulses behind them and if

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 you can learn to work with that instead of against it then I think he felt that you you have a

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 better you know yourself better to go back to the sense of self knowledge but this self knowledge

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 can also help you in your dealings with others. So in the red book we have really extraordinary

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 document I as soon as it came out in 2019 I bought you know the big huge totality because it was

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 actually being sold at an extreme discount on Amazon for some reason you could get it there for

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 $80 so I still have this big thing that's heavy enough that I can't even bring it on and off campus

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 and it's not just textual it's also a lot of artwork full of symbols and recounting of dreams

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 and I take it that he was actually putting into this ledger his visions his dreams and it's hard

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 for me to believe that anyone dreams in these kind of traditional or traditional say archaic religious

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 symbols and I mean I've never dreamt about Dionysus or you know some sort of um you'll hire

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 Joe yes but he seemed to be a very highly literate erudite dreamer let's put it that way yes no I mean

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 I think first I want to back up just a little bit and say that before he started having these

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 visions that we know as the red book which is this beautiful object his first reaction to being in

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 crisis was to start building something like rock and sandcastles so sort of a thing that he had

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 done as a child and I think it's important because the the building is very physical and it's very

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 close to it's finding a reconnection with the earth that you brought up at the beginning

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 and he described the red book itself as a cathedral so we're progressing in building but it's

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 still sort of the same image and so the book itself records this long period of time when he would

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 you know see patients and have regular family life during the day and then descend into this

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 visionary state at night and he would record the visionary state and then later in transcribing it

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 added all of these it looks like an illuminated manuscript for people who haven't seen it's very

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 beautiful it has all of these illustrations but I think a fundamental thing here is that

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 the visionary state that he entered it wasn't dreaming in the sense that dreaming is relatively

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 involuntary but it was active imagination so he would seek it out these states and he talks at

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 various points not as much as I think therapists wishes he did but he does talk about how to achieve

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 this state and how various religious traditions have techniques for getting there so in particular

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 there's the visual technique of if you see something that comes sort of unbidden into your mind

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 instead of sort of ignoring it or pushing it away you try to examine it and focus on it

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 in this very open-minded kind of way you know what more do you have to tell me and gradually

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 enter the world of that image right and then the image can expand and talk to you now that said

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 many therapists have pointed out that there are actually very few people who can who are good at

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 getting into this particular state yeah it's a kind of lucid dreaming state now a little bit yes

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 and Jung talks about in a I think an essay that deserves to be read more the transcendent function

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 so an old essay written I believe as early as 1916 but then reworked in the 50s he talks about how

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 there are other techniques and he includes things like automatic writing but also making sculptures

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 or even dancing or physical movement and all these things have since then become tools for various

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 types of psychotherapy work with the unconscious so he was clearly a very visual you know richly

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 visual person and then also he was extraordinarily iridite on I think when he read the texts of

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 religious traditions he was clearly pulled into them in an extraordinary way but what about

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 patients of his who did not have his erudition and were relatively ignorant about these traditions

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 symbolic religious and shamanic and so how would you help a patient who dreams in a completely

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 different manner than the one that seems to promise an entry into the mysteries or the

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 mysterious of the unconscious well I think that's where there is some system atization to Jung's

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 thinking so let's just take an example that is more present day where often people go to psychotherapy

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 when they have a crisis and they have a decision that is very cannot be made rationally right this is

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 often how it's described so divorce isn't often the example but also things like having a child

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 where you know you're going to become a different person how can you make a decision in a rational way

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 and I think Jung in therapy tends to work with whatever medium can work for the patient so it might

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 be images that appear in dreams it might be try to work on automatic writing which I think works

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 better for some people than the visualization but the material doesn't have to be biblical you know

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 it doesn't have to be salome that you encounter but I think Jung uses the categories that he derived

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 both from his own experience and the tradition so categories like Anima, Shadow and in that sense he

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 does use those archetype categories to connect to the material that comes from patients

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 into those yeah and as I mentioned in the intro it's all based on the individual psyche

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 how can we think the primacy of the individual in Jung's not only a theory of the psyche but also

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 his social critique that he engages in quite a bit later in life especially in you know the late

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 40s early 50s very critical and disdainful of mass society and of forms of government that

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 treat individuals just as part of what today we would call big data and larger patterns and so

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 forth so very focused on the centrality the individual and yet his most famous concept I think is

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 out of the collective unconscious so does the individual psyche merely participate in the

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 collective unconscious is why is it impossible to do a kind of collective therapy and try to get

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 the society as a whole to understand its own pathologies at the institutional and political levels

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 and so forth yeah I mean I think we would love the answer to that one but I think Jung's view is that

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 the unconscious can be collective precisely because it is unconscious and what comes into consciousness

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 is the realm of the individual right so we as individuals are that fulcrum where the unconscious material

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 comes into contact with consciousness and I almost think of it as a contact point between

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 consciousness and the unconscious material and each of us is a different contact point so we will

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 have different a different experience of what that looks like so in Troy do you have the

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 the ego is the individual and ego for you no I think the ego is part of the individual he talks about

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 the self as being much broader much broader has to be much broader than an ego no right the ego is

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 in a sense the the rational controlling self if you like I think he would just simply say the self

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 that believes that all it is is the conscious mind right and but you are much more than your

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 conscious mind and so yourself is broader and a lot of that self is created when unconscious materials

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 connect with you and you in a sense have this decision point of what you do with those materials

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 do you reject them or do you learn to work with them and I think the rejection it often comes from

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 fear yes right and I just wanted to maybe read one of the passages where Jung talks about how this

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 felt to him when when he first encountered it yeah so at the early in the red book he talks about

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 meeting the spirit of the depths and this is how he describes it the spirit of the depths have

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 subjugated all pride and arrogance to the power of judgment he took away my belief in science he robbed

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 me of the joy of explaining and ordering things and he let devotion to the ideas of this time

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 die out in me he forced me down to the last and simplest things the spirit of the depths

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 took my understanding and all my knowledge and placed them at the service of the inexplicable

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 and paradoxical melting together sense and nonsense which produces the supreme meaning

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 but the supreme meaning is the path the way and the bridge of what is to come so you can feel

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 Jung truly not wanting to let go of his rational self and discovering that he needs to make this

00:24:50.400 --> 00:24:58.480
 bridge between what we might call the ego and the broader self yeah so a few months back we did a

00:24:58.480 --> 00:25:04.960
 show on Peter Kingsley and the dark places of wisdom and that was more about for many days but

00:25:04.960 --> 00:25:12.480
 for many days is an archetype of someone who undertakes his journey into the night to meet forces

00:25:12.480 --> 00:25:20.640
 that are much deeper than that of rationality or logos and Peter Kingsley has a book called the

00:25:20.640 --> 00:25:28.960
 Catafel which is some people think is like his real masterpiece in which he claims that the red

00:25:28.960 --> 00:25:34.560
 book of Carl Jung is like one of the most important books of the 20th century because it was a true

00:25:34.560 --> 00:25:40.400
 descent into irrationality and into madness without any banisters if you want to use that metaphor

00:25:40.400 --> 00:25:49.920
 and that he has this notion of the insanity of reason and that the only way to do a proper

00:25:49.920 --> 00:25:57.200
 sort of therapy for the insanity of reason is to go deep into the irrationality of these elements

00:25:57.200 --> 00:26:08.320
 deep down that is a rather hard sell for me and so far as I think yes on the one hand

00:26:08.320 --> 00:26:16.480
 rationality does have this tendency to translate itself into completely irrational behaviors

00:26:16.480 --> 00:26:22.320
 and decisions I mean I'm thinking the World War I as a kind of collective suicide of Europe that

00:26:22.320 --> 00:26:29.040
 was on the one hand perfectly rational but on the other hand I think it's not by chance that in 1914

00:26:29.040 --> 00:26:37.920
 he really begins this descent because that's the kind of madness pathological symptoms in political

00:26:37.920 --> 00:26:44.320
 social reality that an unmastered relationship to the unconscious can bring about

00:26:44.320 --> 00:26:49.520
 and that wasn't enough and when we got World War II we have all sorts of other things and we're

00:26:49.520 --> 00:26:56.160
 living in the moment of where you know we have all sorts of forces from the id that are

00:26:56.160 --> 00:27:02.880
 uninhibitedly taking charge of what was what's supposed to be the controlling rational forces of

00:27:02.880 --> 00:27:08.080
 the let's say the institutional ego which keeps these forces kind of in containment so

00:27:08.080 --> 00:27:14.000
 how do you understand that relationship between the rational and the irrational again I'm going

00:27:14.000 --> 00:27:19.520
 back to the question I asked earlier you called it a dance yeah I said it's a true so yeah I think it's

00:27:19.520 --> 00:27:25.760
 crucial it is a threshold as you see yeah it's it's really fundamental and I think one part of the

00:27:25.760 --> 00:27:34.000
 answer is that for you own our situation back at the time of World War I and probably even more

00:27:34.000 --> 00:27:40.560
 today if you were around to see it is one where we have suppressed the irrational so much that

00:27:41.760 --> 00:27:48.960
 to get it back we have to take extreme measures right and otherwise its danger has become magnified so

00:27:48.960 --> 00:27:54.480
 you know this is you know maybe a bit of an aside but to some extent he felt that Christianity

00:27:54.480 --> 00:28:03.840
 was responsible for developing a religion that was so fixated on only the good and in a sense

00:28:03.840 --> 00:28:10.640
 eclipsing evil as a category and we can think about how by the 20th century even the existence

00:28:10.640 --> 00:28:16.240
 of hell even Christians don't believe in hell right this is the sort of thing that Jung would vastly

00:28:16.240 --> 00:28:22.080
 object to and sort of say we've pretended that evil is a non-existent force and this is how it

00:28:22.080 --> 00:28:28.000
 becomes empowered is precisely through this pretense so we've kind of backed ourselves into a

00:28:28.000 --> 00:28:36.160
 corner where the sort of dissent that we see in the red book is necessary now I don't quite agree

00:28:36.160 --> 00:28:43.440
 with Kingsley that it's a complete abandoning yourself to irrational forces because Jung himself talks

00:28:43.440 --> 00:28:48.800
 about how you know he had the diurnal life and the nocturnal life and he talked about how the

00:28:48.800 --> 00:28:55.280
 diurnal life of seeing patients and having a family was his anchor so that he could undertake this

00:28:55.280 --> 00:29:01.920
 journey and I think it's really important to remember that when we when we think about undergoing

00:29:01.920 --> 00:29:09.520
 such journeys ourselves right what will our anchor be and I think this then it speaks to this question

00:29:09.520 --> 00:29:16.480
 of how does this very solitary thing Jung is doing and and suggests that we should all do

00:29:16.480 --> 00:29:23.280
 how does it connect us to other people I think it it is where we are more honest about our own

00:29:24.720 --> 00:29:32.000
 nighttime journey and we undertake it with I dare call it something like sincerity truthfulness

00:29:32.000 --> 00:29:39.200
 we come out and are able to relate to others without projecting so much of our need for rationality

00:29:39.200 --> 00:29:44.720
 and goodness and control and all these other things on to other people so the two worlds balance

00:29:44.720 --> 00:29:52.960
 each other out so Laura about the archetypes which is another major kind of milestone in Jungian

00:29:52.960 --> 00:30:03.280
 psychology is there also the enjoinder to get in touch with the archetypes I mean do the archetypes

00:30:03.280 --> 00:30:12.560
 in hair in our unconscious or are they merely the sort of condensation of many different figures

00:30:12.560 --> 00:30:21.440
 in folklore legend mythology religion how do you understand Jung's concept of the archetype well I

00:30:21.440 --> 00:30:27.840
 think they are this conglomeration in some case so first thing I think we can say that for Jung

00:30:27.840 --> 00:30:33.040
 they could be potentially and we could always add more archetypes discover more so there's no

00:30:33.040 --> 00:30:39.120
 limit to what you can find but I think some of them say the anima that we can talk about a little bit

00:30:39.120 --> 00:30:45.760
 more the shadow the old white the wise old man the magician these are figures that indeed

00:30:45.760 --> 00:30:52.480
 conglomerate across many traditions and times and places and psychies and so they acquire a kind of

00:30:52.480 --> 00:30:59.440
 almost a kind of weight and visibility and usefulness in that they seem to be figures that we all

00:30:59.440 --> 00:31:07.600
 have to encounter at some point right so the anima is often connected with the vulnerable the

00:31:07.600 --> 00:31:19.040
 irrational the instinctive and the part of oneself that is in a sense shameful especially in a patriarchal

00:31:19.040 --> 00:31:25.680
 culture where it's important to be strong and associated with the feminine is right right

00:31:25.680 --> 00:31:31.600
 you know and I think the the magician is an interesting one I think for us to think about today

00:31:31.600 --> 00:31:36.960
 the magician is sort of a passage that you go through you think that you have mastered the

00:31:36.960 --> 00:31:43.040
 unconscious you have you've done your work and suddenly you find yourself feeling that you have

00:31:43.040 --> 00:31:49.120
 more power and that's always a dangerous moment in shamanic journeys or mystical experiences

00:31:49.120 --> 00:31:54.080
 when you think that you've you know now I now I've got it I'm under control so the magician is

00:31:54.080 --> 00:31:59.360
 self-deceived well the magician you have to go through that phase of being the magician

00:31:59.360 --> 00:32:05.280
 but yes to some extent the magician also has to realize that the unconscious still retains its

00:32:05.280 --> 00:32:11.600
 autonomy its power you you don't control it you you can be in conversation with it but you can't just wave

00:32:11.600 --> 00:32:17.360
 your hand and have it do what you want right what are some of the other major ones well I think the

00:32:17.360 --> 00:32:24.160
 concept of shadow is a big one I'm not sure we could it's a very interesting archetype in the

00:32:24.160 --> 00:32:34.000
 sense that the shadow is what our conscious mind is most loathe to recognize as part of ourselves

00:32:34.000 --> 00:32:41.440
 so it can be lots of things depending on what aspects of yourself you find most disturbing

00:32:41.440 --> 00:32:49.120
 so that's another one that's really important just union psychoanalysis involve a lot of

00:32:49.120 --> 00:32:57.040
 invocation of archetypes I mean I'm curious you know in Italy for example which I know Italian

00:32:57.040 --> 00:33:03.680
 Roman sighted a lot of people are into union psychoanalysis I have no idea what goes on

00:33:03.680 --> 00:33:10.720
 in those sessions but I have a feeling that they're not probing you know these archetypes

00:33:10.720 --> 00:33:16.960
 and connecting you know a particular patient with with his or her you know the archetypes in

00:33:16.960 --> 00:33:23.040
 the unkind I think it's more a lot of self introspection and a lot of sort of discourse so I'm just

00:33:23.040 --> 00:33:30.720
 curious what role it's supposed to play in therapy if any yeah I mean I think it's it's the role of

00:33:30.720 --> 00:33:38.400
 catalyst so you might read the red book and find it inspiring or disturbing or find some of the

00:33:38.400 --> 00:33:44.480
 figures intriguing and that could catalyze your own imagination but I think Jung was you know a firm

00:33:44.480 --> 00:33:54.640
 believer in not providing specific figures that you should hope to encounter in your own therapy right so

00:33:54.640 --> 00:34:01.680
 in a sense the idea is that all of us would develop our own personal mythology so you might encounter

00:34:01.680 --> 00:34:11.760
 some figures that recur in the mythologies of various traditions but I think he felt that it was

00:34:11.760 --> 00:34:18.000
 much more valuable if people could develop their own right so I think that's part of what goes on in

00:34:18.000 --> 00:34:24.720
 analysis so in Freudian psychoanalysis there's a kind of end point there's there's this kind of

00:34:24.720 --> 00:34:31.920
 promise that if you follows the right trajectory you will end up you know transferring a great

00:34:31.920 --> 00:34:38.400
 deal onto this and that you will finally cure whatever sort of neurosis comes from the

00:34:38.400 --> 00:34:44.080
 relation traumatic relations you had with your parents and early childhood or infancy what is the end

00:34:44.080 --> 00:34:50.480
 point for you I mean he believed in an integrated psyche I think right and that integrated psyche also

00:34:50.480 --> 00:35:01.040
 had I suppose maintain some kind of opposition you know the coincidence of opposites and so forth

00:35:01.040 --> 00:35:08.000
 yeah yeah I think that the end point was the point where you yourself would be able to undertake

00:35:08.000 --> 00:35:13.200
 on a regular basis this reconnection with the unconscious you could do it yourself

00:35:13.200 --> 00:35:18.720
 I think that was really the end point and we can think about Jung himself after he stopped writing

00:35:18.720 --> 00:35:24.880
 in the red book or in his black books and then the red book he a few years later started building

00:35:24.880 --> 00:35:32.000
 what became his home the tower that was a stone initially one stone tower that he built you know with

00:35:32.000 --> 00:35:38.160
 his own hands which is quite an undertaking and there were four different buildings and then a fifth

00:35:38.160 --> 00:35:45.280
 one that was a second floor and he described this work as another version of creating the red book

00:35:45.280 --> 00:35:50.720
 right a trace of his own going into the depths and I think that really speaks to what you were

00:35:50.720 --> 00:35:58.320
 saying at the beginning about coming into this very visceral contact with the earth yes you know he

00:35:58.320 --> 00:36:05.840
 he dug stones out of the ground and out of the lake nearby and this was very significant for

00:36:05.840 --> 00:36:11.440
 his construction and for the way he wanted to live his day to day life yeah you see that aspect of

00:36:11.440 --> 00:36:18.480
 his thought appeals to me a lot more because I can imagine the problem I have with the unconscious

00:36:18.480 --> 00:36:25.680
 is that it's something within a human psyche and that it's not the earth it's not in the actual

00:36:25.680 --> 00:36:34.560
 humus where the dead have been buried where our relation to animals and natural elements it can be

00:36:34.560 --> 00:36:40.560
 fire water all these things which never become archetypes are in because his archetypes are I think

00:36:40.560 --> 00:36:51.680
 mostly human personifications but this idea that you could actually rediscover your kinship with the

00:36:51.680 --> 00:37:00.480
 the creatures of the natural world animate and inanimate that promises a kind of larger

00:37:01.840 --> 00:37:11.920
 integration of the human and the natural that would maybe indicate a deeper understanding of what

00:37:11.920 --> 00:37:21.360
 sanity actually consists in. Yeah I agree I mean I think your direction is a very Jungian one in

00:37:21.360 --> 00:37:30.080
 the sense that he saw the connection we could make by accepting our unconscious selves as a deeper and

00:37:30.080 --> 00:37:39.680
 deeper connection to the earth to who we are in an embedded in a world right and I think that he talks

00:37:39.680 --> 00:37:46.800
 about the Anima that we described as you know that if you like your vulnerable self the young woman

00:37:46.800 --> 00:37:52.160
 the image that we encounter often in Jungian text but he connects it to the Anima Mundi which is I

00:37:52.160 --> 00:37:58.400
 know something you've thought about a lot and maybe I can read a quote from the very end of his

00:37:58.400 --> 00:38:03.120
 memories dreams and reflections where I think it comes across the sort of expansiveness

00:38:03.120 --> 00:38:10.320
 and ultimately optimism about how you know what we will find if we delve into the unconscious

00:38:10.320 --> 00:38:16.640
 so this is what he writes whatever the learned interpretation may be of the sentence God is love

00:38:16.640 --> 00:38:22.400
 the words affirm the complexio positorum of the Godhead so the opposition the

00:38:22.400 --> 00:38:28.320
 Bunion of opposites of the Godhead in my medical experience as well as in my own life I have again and

00:38:28.320 --> 00:38:33.040
 again been faced with the mystery of love and have never been able to explain what it is

00:38:33.040 --> 00:38:39.680
 here is the greatest and the smallest the remotest and the nearest the highest and the lowest

00:38:39.680 --> 00:38:45.200
 and we cannot discuss one side of it without also discussing the other for we are in the deepest

00:38:45.200 --> 00:38:51.680
 sense the victims and the instruments of cosmogonic love being a part man cannot grasp the whole

00:38:51.680 --> 00:38:58.800
 he is at its mercy man can try to name love showering upon it all the names at his command and he

00:38:58.800 --> 00:39:05.200
 still will involve himself in endless self-deceptions if he possesses a grain of wisdom he will lay

00:39:05.200 --> 00:39:12.240
 down his arms and name the unknown by the more unknown in yotum pet in yotus that is by the name

00:39:12.240 --> 00:39:18.400
 of God that is a confession of his subjection his imperfection and his dependence but at the same

00:39:18.400 --> 00:39:25.920
 time a testimony to his freedom to choose between truth and error okay he mentions their God sometimes

00:39:25.920 --> 00:39:35.600
 it sounds like you was trying to resurrect a traditional notion of God at other times he seems to

00:39:35.600 --> 00:39:40.400
 suggest that certainly the Judeo Christian notion of a God is not doing justice to all the

00:39:40.400 --> 00:39:47.440
 different divinities which are kind of multiplied and diversified in and to kind of pantheon of

00:39:47.440 --> 00:39:55.920
 you know different figures so was he a believer in the traditional religious sense I think he was

00:39:55.920 --> 00:40:05.200
 a believer in not of in any one specific religion but in the pursuit of as he puts it in the

00:40:05.200 --> 00:40:14.000
 red book right the the birth of the new god and I think he considered the task of modern humanity

00:40:14.000 --> 00:40:24.240
 to be to overcome the way institutionalized religions tend to objectify the divine reify it turn

00:40:24.240 --> 00:40:31.920
 it into an object and he I think wanted the sort of religion that is about you know he uses the

00:40:31.920 --> 00:40:38.240
 word the way I think I quoted it earlier right so it's about this constant re bridging of the gap

00:40:38.240 --> 00:40:44.880
 with the Animamundi with the world with others with one's own unconscious with the collective unconscious

00:40:44.880 --> 00:40:52.080
 so it's a process rather than an object and so the process is going to be different for each person

00:40:52.080 --> 00:41:01.200
 I'm also very curious about his importance for the counterculture of the 60s and the and he

00:41:01.200 --> 00:41:10.800
 really is the guru of the psychedelic age and people you know belonging to those traditions

00:41:10.800 --> 00:41:21.040
 found in him their major spokesperson no what was this connect is it one that is substantial enough

00:41:21.040 --> 00:41:26.560
 to say that it was like Herbert Marchecoose era of uncivilization he's had a Jungian

00:41:26.560 --> 00:41:31.600
 Texan spirit and his relation to the psychedelic I mean there's nothing more psychedelic to me than

00:41:31.600 --> 00:41:36.240
 the red book when you look at that and it's completely psychedelic yeah agreed agreed and I think

00:41:36.240 --> 00:41:40.000
 even though the red book of course wasn't out and they didn't have access to it they read

00:41:40.000 --> 00:41:45.680
 memories dreams and reflections which I think you know coming out in 57 was you know perfectly

00:41:45.680 --> 00:41:53.360
 poised to be ready for the psychedelic movement and it contains a lot of things people have described

00:41:53.360 --> 00:41:59.040
 the red book as a psychoactive substance right so you take you absorb it and it catalyzes a journey

00:41:59.040 --> 00:42:07.200
 that is your own journey and I think people found Jung's willingness to use a symbolic language

00:42:07.200 --> 00:42:15.040
 to describe what was happening to him that is borrowed his eclecticism right his mix of west and east

00:42:15.040 --> 00:42:23.200
 was very resonant I think with the 60s thinking and so there are certain even images from his work

00:42:23.200 --> 00:42:28.800
 that have remained fundamental like this dream where he he feels that he is being dreamed by a yogi

00:42:28.800 --> 00:42:34.320
 who is asleep you know this is a very famous one that has stayed with the psychedelic movement

00:42:34.320 --> 00:42:40.320
 and I think there are some deep truths in it in the sense that the psychedelic movement itself was

00:42:40.320 --> 00:42:47.280
 doing something very Jungian in terms of questioning the excesses of rationality that we started off

00:42:47.280 --> 00:42:52.400
 with right so they were right right this was an era when a lot of the environmental crisis that

00:42:52.400 --> 00:42:59.040
 we have now for instance was already quite visible and on the radar and no one wanted to see it right

00:42:59.040 --> 00:43:05.840
 and they were really trying to point the finger so I think that was very much in the spirit of Jung

00:43:05.840 --> 00:43:12.480
 then of course like any anything that becomes very popular I think some Jungian concept have become

00:43:12.480 --> 00:43:18.080
 very watered down like you know like the shadow I think is it's hard to say even what that means

00:43:18.080 --> 00:43:24.640
 anymore at some point but but it's beautiful what they did with Jung I think in general okay so

00:43:24.640 --> 00:43:31.280
 last question Laura so our show and you don't have to answer it but I am curious would you call

00:43:31.280 --> 00:43:38.160
 yourself a Jungian if so why yes would I call myself a Jungian well you know he didn't want

00:43:38.160 --> 00:43:45.840
 disciples but yes I think I would call myself a Jungian and I think I would because I believe we

00:43:46.720 --> 00:43:50.800
 well because I grew up learning about world religions all of them and watching people

00:43:50.800 --> 00:43:57.120
 invent their faith it's hard not to when you travel the world and you see how people actually

00:43:57.120 --> 00:44:02.960
 live out different religions they stop being these systems on paper and they start being

00:44:02.960 --> 00:44:09.360
 far more irrational but also very effective and I found that I found that absolutely fascinating

00:44:09.360 --> 00:44:14.720
 and profoundly real I feel like it says something about my own life and how you know I'm always

00:44:14.720 --> 00:44:20.000
 cobbling together reasons to believe whatever I believe in that are made up of my own

00:44:20.000 --> 00:44:25.760
 you know my own background my what what I've experienced so I think in that sense I am very much

00:44:25.760 --> 00:44:32.800
 a Jungian well that's very reassuring because if you're the outcome of a Jungian spirit then

00:44:32.800 --> 00:44:39.600
 then it's all for the good well I'm honored thank you on a reminder our listeners we've been

00:44:39.600 --> 00:44:44.080
 speaking with Professor Laura Whitman from my own department of French and Italian here at Stanford

00:44:44.640 --> 00:44:52.240
 and the very first guest in the very first episode back in 2005 so always a pleasure Laura thanks

00:44:52.240 --> 00:44:59.280
 for coming on thank you I'm Robert Harrison for entitled opinions thanks for listening

00:45:14.640 --> 00:45:41.760
 take the highway to the end of the night you ain't got trying to go right midnight the night and of the night

00:45:43.440 --> 00:45:54.480
 realms of lives some of them just we did

00:45:54.480 --> 00:46:08.960
 some of them just we did like some of them to the end of the night

00:46:13.440 --> 00:46:23.440
 one of them the one of them the one of them the one.

00:46:43.440 --> 00:46:53.440
 [Music]

00:47:13.440 --> 00:47:23.440
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00:47:43.440 --> 00:47:46.480
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